Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts

17.11.17

Inside the illusion

We recently had a rare opportunity to visit backstage at ABC Studios in Los Angeles, where "General Hospital" and "Gray's Anatomy" are filmed. Cameras were discouraged but I managed a few haunted shots of Oz behind the scenes.

 

Set of "Grey + Sloan Memorial Hospital" in "Seattle"

Staff break under a photo of the studio in early days

Jail cell set, "General Hospital"

Back of a flat

Lobby set

"Gray's Anatomy" bedpans!

Homage to Luke and Laura

Here you go, world

Actor trailers

9.8.15

(Tele)Visions

Today's semi-abstracts relate to this week's Sepia Saturday theme.

Years and years ago my grandfather's cousin Peggy passed away and left him a color television set, which I subsequently inherited in the late 1970s. It was a "portable," although it weighed about 40 pounds, and among its then state-of-the-art features, it allowed you to manually and easily control contrast, hue, and saturation.

I experimented with these controls quite a bit, and especially liked to set them at various extremes and use the machine as a sort of light-show at parties, with the sound turned off. Here are a few samples of "paintings" I captured from the TV, circa 1986, some as double exposures. In the first one you can actually see the top of the screen.
Submarine desert

Apres le dejeuner a la jardin

Prognostication

Riverflow

Eastern Western dreams

Thousand-yard stare

The puppeteer

Patience

Colloquy

6.6.15

My Many Hats (2. The Spy)

This week I depart ever so slightly from this week's Sepia Saturday "games" theme: although as a child I dearly loved proper games such as Uncle Wiggily, Chutes and Ladders, Monopoly, Scrabble, and so on, much of my playtime was taken up with role-playing. The heyday of this activity began around fifth grade, 1965, when spies came into my realm of knowledge.

And soon enough I created my own spy, writing a collection of lavishly illustrated short stories of his outlandish exploits.
Simon Ferret, Esq., the UK's only "internationally known clairvoyant espionage agent"
Here's how that came about... What with the Cold War being in full swing (let me tell you some time about my Cuban Missile Crisis experience), spies were in the news and on the entertainment front. The James Bond films were too mature for me, but my mother did introduce me to The Man from UNCLE on TV, which I quickly became obsessed with. I took it deadly seriously, not realizing it was a spoof.

I acquired the requisite related materiel, from bubblegum cards, the soundtrack album, and books spun off from the series, to Corgi models of the UNCLE cars...



From here I quickly followed along with the popularity of the genre, soaking in episodes of the debonair I Spy g-men Robert Culp and Bill Cosby...


the peerless Avengers, with Emma Peel's Lotus and John Steed's (wait for it) BENTLEY, both of which Corgi also happily offered...


Pre-007 Roger Moore as The Saint with his dashing Volvo...

Bond himself eventually, with the classic Aston-Martin, which Corgi sold with all its bells and whistles...

Maxwell Smart and Agent 99, in Get Smart, which spoofed the spoofs with a wimpy little Sunbeam Alpine...

Honey West, who, to be fair wasn't a spy but a private eye, but still had a hot car, an AC Cobra...


And the creme-de-la-creme, Patrick McGoohan as The Prisoner, hot on the heels of his Secret Agent (aka Danger Man)... in his Lotus 7


So back to Simon Ferret... it's hard to say whether his derring-do or his collection of rare automobiles was more important to his stories. 

He kept many garagefuls of them scattered around Europe for use at the drop of a bowler...typically attached to his palatial residences.

One of Simon's humble abodes

Spot these features in Simon's workroom: opaque projector, table of the elements, movie screen, hazmat suit, shortwave radio, and a ...er ...computer.

Simon's living room contained: the de rigeur lava lamp, fireman's pole to the lower floor, elevator-pedestal to the upper floor, an American-style phone booth, and a marmite dispenser.
I developed Simon into an alter-ego, becoming an obnoxious Anglophile to the extent of affecting a generic British accent (fluctuating wildly between BBC and a Beatle-y scouse) which still I slip into at odd moments to this day. 

22.4.11

Tele Visions

In the 1980s I sort of weirdly inherited an old color TV from my grandmother's cousin. Aside from finally enjoying my own color TV at the advanced age of 30 or so, I enjoyed playing with the color, brightness, and contrast controls: something that is a lot harder to do nowadays digitally. And then with my old Pentax I could effect multiple exposures by rewinding. Here are a few hypersurreal images that resulted.

Imagine

Superpharaoh

Infinite image

Virtual wilderness

Inexplicability

Staredown

Barrens

Lightness

Away