Showing posts with label blumenfeld. Show all posts
Showing posts with label blumenfeld. Show all posts

10.3.19

The Scribbler

It's been quite awhile since I had a post synced to the weekly theme of Sepia Saturday, but this week's theme of Reading was an obvious tempter.

Some time back I posted a series based around the lost-and-found unpublished autobiography or "diary" that my maternal great-grandfather, David Blumenfeld, completed in 1920, when he was 65. As I am just about to hit that prestigious(?) age next month, it seems as good a time as any to add this post to the canon.

David B also was the writer of a double handful of unpublished potboiler novels and novellas in his spare time, when he was not haberdashering and tailoring. In fact, his wife (who was not literate in English) often scathingly referred to him as "The Scribbler."

But he also penned several books that actually saw the light of day. The following articles give some more information about them and him.





24.8.16

Fit to print

My cousin Fred recently enlisted a researcher at the Dakota County, Minnesota, archives who dredged up the following articles about our great-grandfather, David Blumenfeld. They provide an objective corroboration of the life that he detailed with some melodrama in his Diary, in the early part of the 20th century.

Interestingly, they also elucidate that he indeed did have contact with his aunts, uncles, and cousins in Tukums, Latvia, although they never made it into his writing and it took nearly a century for their fate to come to light by a series of accidents and persistent genealogical sleuthing.

Of course even the chaos and carnage of World War I, which extended into his native Courland, now Latvia, as the Germans wrested territory from the Russians, was soon to be surpassed by the Nazis' depredations.


"On August 1 Germans had captured all Courland, ... and the front line stretched from the Gulf of Riga [65km from Tukums] to city of Daugavpils."

This second article, from 1930, really astounds me. Whereas the existence of his Diary remained unknown to his family for decade upon decade, and we'd assumed when we found it that he had not only effectively hidden it but hadn't even finished writing it, here it becomes clear that not only did he consider it finished, he was publicizing it in the local press!


His spin on the book is also interesting, as in reality, rather than his family story being merely interwoven, it was the broad historical passages that were incidental to the saga of the Blumenfelds.

The next two articles from 1920 are strictly business, but they too provide a fascinating sidelight.


For yet another angle on David, here is what his grand-daughter, my mother, remembers.

How much did you know about your grandparents’ life stories? 

Very little. Occasionally my mother would talk about where her grandmother came from, which was Lithuania, I thought, and she mentioned Kovno [now called Kaunas]. And my grandfather talked about living in Odessa...  he was an apprentice to a tailor, and that’s how he learned tailoring.
…My mother did talk about tailors going from farmhouse to farmhouse in a cart and staying at a farm and making dresses and suits for everybody there, and then going on to the next farm, [being] an itinerant tailor instead of a peddler.  
…I doubt if [my grandmother] Lena ever talked very much to [my mother] about anything that had happened to her because she was just not that kind of a person, she was not confiding, she didn’t talk over old things; she ran the household, she was very practical.… My mother liked to talk about whatever she knew, but what she knew was bits and pieces.  There was never a real connection in the stories that I heard, and I only vaguely knew who she was referring to because I didn’t know all the connections of who all the people were.
          
My first memories of [my grandfather] David are associated with a bedstead that we had that was very beautiful. It was painted a very soft shade of blue with a little bit of wood showing that was very golden under it, and it had these finials on the corners of the bed and they had these bulbs on them, beautifully carved, and I never got to use that because it was a double bed and my brothers used it.  
…That was a beautiful bed set and that went off to somebody somewhere when they moved from the brown house, which was on the main street of Concord Avenue, in South St Paul. I remember it had a wrought-iron fence around it... but you could hear people next door, which was a saloon, and there was a little garden in the back. I remember waking up and hearing my grandmother downstairs talking to a farmer because the farmers would come to the door with cantaloupe and stuff like that and she would buy from them.
…I remember planting things and going out into the garden... the garden wasn’t wider than five feet, because when you got beyond the house — maybe 10 feet, there may have been an alley back there — the hill arose. After they moved to the top of the hill in an apartment house, my grandpa would come down the hill at 5:00 in the morning and turn the lights out in his store that had been on all night, and write until 8:00, at which time he would go back up the hill for breakfast, and then come back down the hill and stay in the store for four or five hours, and then go up the hill for lunch, and then down... and that may have been the reason he lived until he was 96! 

Lena was a nice grandma. She always liked to give us cookies, we knew where the cookie can was; she’d always gave us money when we were leaving, she gave us each a quarter out of her big pocketbook. And I would go down hang around the store, I liked the store, and my grandfather also had a case full of cheap jewelry and I would be looking in there; eventually I got one or two items from that, there was a false pearl ring that I vaguely remember.
…I think I must have been four or five when my parents broke up, and my dad [Art Singer] moved to Texas and my mother’s family gave her money and insisted that she go to Texas, and I think she may have gone there to get a divorce... and maybe they got a Mexican divorce, I don’t know, I never heard where. My dad had rented a house for us [in Dallas] where we stayed at first, and then we moved two or three times before we settled in a small house that we lived in fairly comfortably. And then there was the [1929] Crash. And then my mother and dad decided to reconcile and we moved back to Minneapolis….
We went straight to the lake, White Bear Lake. Because my Aunt Belle had rented a house at the lake, a summer house for my grandmother and grandfather to stay in and for us to stay in, and so we spent the summer there. Belle would come and take my mother house-hunting in Minneapolis... and so that’s where I got to know my grandfather a little bit more. He’d come and take us for a walk and there was a store he liked to walk to and buy his White Owl cigars…. I always loved those and I liked to wear those little bands like a ring. And I always loved him very much and wanted to hold his hand wherever we went.

           …We went to Passover two or three different times [at their house] and it was always very elaborate and very long, with books passed out for people to read from, and it was questions and responses... and at one time the youngest gets up and he’s given some matzoh wrapped in a clean white napkin and it’s put outside the door for the angel, I think, to bless the house or something like that. My grandfather would go by bus into St. Paul to keep the high holy days even though he was a Shriner and belonged to the businessmen’s stuff in the town.  
They had a little mezuzah on the wall to keep the bad spirits away or bless the house or something like that. And she did have several sets of dishes so that you served meat things in one and milk things in another. You couldn’t mix them for some ridiculous reason. I never learned much about Judaism.
           My grandfather also had a big dark bookcase enclosed in glass doors with all these big heavy-looking books and I asked him what kind of books, and he said they were in Yiddish [Hebrew?] and German and Russian... you know, he could speak all these languages and they were in all of these old books of his. After he died, they sent me a newspaper clipping from the South St. Paul newspaper that said that all of his books were given to the local library.

           My mother just completely left the family. She was ill treated, and they were trying to arrange a marriage for her that she wasn’t interested in. Her sister Belle had gone to college for two years; they had no plans to send my mother to college. Anyway, Belle invited some of her college friends for a party, and one of them they had picked out for Helen to marry. I think he was a dentist. And he was friends with my father.
According to my grandfather, Helen first started going with my dad’s friend, Moishe Rosen, which I had never heard anything about; he remained a friend of my father’s till death. And then Moishe found someone else he liked and he introduced Art to her; maybe he was the one who brought Art to a party at their house. And the Blumenfelds really didn’t like him because he laughed too loud, according to my grandfather. His voice was too loud. He was very hearty, you know.
They sent my mother to a Normal School, and she was supposed to be learning to teach deaf and dumb children, she was learning sign language; but what they didn’t know is that she had given my father her address and they were corresponding and he persuaded her to run away with him, and get married. And so they did.   

Your folks had this on-again off-again fiery relationship... how did David and Lena seem to get along? 

Lena treated David like dirt. Every time he opened his mouth to say something, she’d say, “What do you know?” as if he were some sort of inferior being. And he would just sit there and give this little laugh and not take part in the conversation. It was really cruel. And she was sort of like the queen of the party and wanted everything to revolve around her, and she was the one who did all the cooking and was praised for the cooking and all that. We couldn’t go to see her because my father was away all the time with the car. But when he came back then we had to make these journeys from Minneapolis to South St. Paul. I remember driving there through the snow and singing “Over the River and Through the Woods” ... all these familiar landmarks as we went through St. Paul to get to South St. Paul. And then we’d get within about five miles of South St. Paul and we’d say, “Oh, there’s South St. Paul, we can smell it!” The smell of the stock yards, miles away.
And I remember looking out the front windows [of my grandparents’ house] upstairs and you’d see these farm fields in the distance, and then woods, and then there would be a railroad track, but the railroad track would circle around and come right down across the street; from the main street there would be buildings on each side but behind the buildings would be the stockyards. The trains would pull up and the cattle would get out. And I don’t know if it’s in my imagination or not but [I remember] I could hear cows mooing and that sort of thing. I do know that smell was just on the air for miles and miles.

I never really thought much about the relationship between them but I know that as they grew older I began to dislike my grandmother because she was very... she had nothing good to say about anybody.
And as my mother grew up, she also had nothing good to say about anybody. So that when I found out from [David’s] diary how badly they had treated her — and how they thought she was some sort of a mad person, I realized that she had not learned any social skills about how to be nice and how to listen to other people.
I noticed in the diary at one point he seemed for once to be really true and sincere when he said that he couldn’t get Lena to talk to him at all and he had always felt lonely and had no one to talk to. He loved to go to the theater and things like that and she would never go with him. And he took my mother to the ballet, and she remembered that really vividly, that he had the tickets.
And the same thing happened when I was growing up, I couldn’t get my mother to do anything…. My mother didn’t want to go [to a concert] and so she pretended to be sick. She got into bed and said “I can’t go, I can’t go.” And it was that same kind of negation of everything, everything someone tried to do for her, she would just get sick and go to bed and she would not try anything new, not try to meet anybody new. But on the other hand in several cases I caught her when I was home, talking to the next door neighbor and complaining about my father and apparently running through a whole litany of all the things he had done wrong. So that was her social life. She was not a pleasant person. She never wanted to hear anything nice about anyone. It was always, “Well, why are you praising them, why don’t you go out there and win this and do that.” It was very — on the one hand — wanting successes and on the other hand she could never take any pleasure in anyone else’s success. She could never express praise.
On the other hand, she sewed assiduously all her life and made every stitch I wore, beautifully tailored.… For my graduation, we went to the most expensive store in town and tried on dresses, and if there was one I really liked, we would go home and she would sketch it…. She had learned, I think, from my grandfather how to cut a pattern. She would cut a pattern and make the dress, so I had this exquisite graduation dress that she made.
My Aunt Belle was… maybe four feet ten and very small-boned. And bought expensive clothes. And when she didn’t like them or something, she handed them over to my mother, who would make them over for me, so I got used to some very, very beautiful, expensive clothes when I was in high school... suits, tweed suits, and jackets. My mother should have probably gone into the rag business!
…Our visits were very rare.…  We never had — well, few — family get-togethers. We had picnics, a Fourth of July picnic. My Aunt Belle, her great cooking specialty was this sort of French tart with custard underneath and fruit on top, very lovely, and sour cherries; it was very good. ...They did have family and they did have get-togethers, but not with us. Our family was considered sort of beneath them because my dad didn’t have a college education and neither did my mother, and they were sort of the poor relations.         
I can remember one Fourth of July picnic, I remember [my cousin] Lorraine there. I assume her mother [Ruth] was there. I don’t remember [her father, my uncle] Al. Al was much disliked by the family for some reason. They talked about everybody. They talked about Ruth in terrible terms. As if she were beneath them socially. And criticized her all the time. This was Belle and Lena. And I’m sure that’s the way they talked about my mother when she wasn’t around. It’s like they were somehow above us all in some way, which is to me unbelievable, because Lena was totally uneducated.
She never learned English! She learned to talk it from listening to the radio.…  No, she couldn’t read or write. But they were very tight, she and Belle. And I suppose Belle as the older daughter just felt she had to protect her mother in this foreign land and take care that she knew how to do things….
And they had had hard times. When they first started buying property on Concord, the property above the store became boarding houses, you know, rooming, they’d let out the rooms, the farmers would come in town and they’d need a place to stay for a few nights. My grandmother did all the cleaning and so forth and also collecting the money, and they made some money to help pay for the property, I’m sure they needed that.
My grandfather went on tailoring, and eventually opened the store. So they managed to really stay, I suppose you would call it, in the middle class.… They did help our family out [with clothing] during the Depression. Everybody needed help. I think that’s one reason my parents came back to Minnesota. So they’d be near family so they would have some help. There wasn’t any help on my father’s side because his father had died and [my dad] was on the outs with his sisters... but that’s another weird family! It’s a wonder any of us are sane! [Laughs] If you can call us sane! 

Were you aware that David was doing any writing? Did it surprise you that he had that quantity of writing? 

           I knew that he was always writing down there, everybody said that he was writing. But I didn’t know what it was about. After his death, my mother told me that they had written to her that in his will he had left $1500 for a publisher to publish his book, so Abe [Belle’s husband] just crossed that out, being a lawyer…. “OK, that’s not going to happen!” [Laughs]
At the time, there were three or four guys with Jewish names who were writing bestsellers, and they were just trash. And I think those were the ones that my grandfather was reading, and so he got the idea that he could write a novel. But [his books] were so naïve. If he had stuck to stuff that he really knew about, which was the travels through Europe and through the United States to get settled, and if he really knew anything about writing... and of course his English was not sophisticated….

 Did your mother ever express to you that she had any problems with her folks? 

Never. Never. She seemed to be very fond of her father. And I think that probably as she... when he described her as this screaming devil, that they couldn’t control, that as she grew older, he began to talk to her, and she would go up and watch him sew and was learning things about tailoring. Although according to what I read in here, Lena was also good at all sort of sewing.
…My mother was putting together quilts for my grandmother to do the quilting... they did it together... when we were in Texas, sending it back and forth…. My mother was always busy…. 

One theme in David’s writings is that of the Jewish man corrupted by the wicked goyish woman. Do you think he just considered that just good storytelling or that it reflected his real attitude? 

Oh, I’m sure it did.… One thing about my grandmother’s ménage when they lived in the old brown house was that they always had a country girl working for them.... The shiksa, the shiksa, they were always “the shiksa”!` You would never hire a Jewish girl to work for you. 

They didn’t give you a hard time about not marrying a Jewish man? 

They didn’t know anything about it. I wasn’t in touch with [my grandparents].… My mother came up… she hated [Nelson] on sight because she had no way of communicating with him, couldn’t figure him out at all. 

…She was so flawed... but then you look at what happened to her at home and read what David said about her, and you understand it. You just understand that that’s what happened to her.… But you just have to deal with that. And thank God I finally understand it after all these years… I could not forgive her for so much. 

11.6.14

Vanishing Point: The Michiganers

The opening photo today, a nod to this week's Sepia Saturday theme, was taken from the front yard of my father's childhood home in Elm, Michigan, looking across the cow-strewn fields where a freight train smokes away down the Pere Marquette railroad...an example of the "vanishing point" effect.

Not all that far away from Elm was the town of Hudson. And Hudson marks a sort of vanishing point for much of my family tree, where the roots disappear back into a darkish history.


The family album has several photos that don't note the subject's name. However, the backs bear the imprint of two photographers in Hudson, Michigan: Fred D. Brown and D.H. Spencer. Members of both the Hale and, predominantly, the Daniels, clans lived in the Hudson area in the late 1800s. (The longtime American English Hales married into the lately arrived English Danielses, who then married into the Scots/Irish Orrs, who then married into the longtime American English Bentleys.)

George Daniels, my great-great-grandfather, first acquired land in Concord, Michigan, near Battle Creek, in 1848.


 The first photo below I am guessing is a contemporary of George Daniels: Lucretia (Johnson) Hale, who was the mother of George's daughter-in-law Martha (Hale) Daniels. I make this guess based on the fact that it's a tintype (this one has no photographer imprint), and the only other such photos like it in the album are of Martha's daughters Louise and Alice, around 1876.  That was two years after the death of Henry Daniels' mother, Ann Twidale Daniels, the other likely candidate for the photo.

Lucretia would have been about 69 that year. Her husband Hiram Hale (a melodious and oddly common name, as it turns out) had been dead since 1861.

I believe the next photo is the same woman a few years later; her snood or scarf seems identical. She looks about ten years older, so if it's now around 1888, Lucretia would be 80. The young Danielses had moved from Lansing to nearby Hudson, where Henry's parents were now living, in Lenawee County, between 1870 and 1880.




It was a goodly sized family living in Concord as of 1850. The following photos, probably taken 20 years later, are possibly Henry H. Daniels' siblings Mary, b. 1837; Robert, b. 1833 MI; Benjamin, b. 1835; and/or William b. 1846. But no solid evidence exists aside from the photographer's location (Hudson being quite nearby) .



This guy looks to be about the right age to be Robert or Benjamin if this was taken in 1876. On the other hand, he bears a resemblance, especially in the mouth, to Martha Hale Daniels. Like George, she had three brothers and a sister: Andrew (b. 1837),  Benjamin (b. 1835), John (b. 1845), and  Alice (b. 1848) ... Still, everyone looked so "down in the mouth" in these portraits, it's hard to tell!

1.6.14

The Captain and the Captain's Wife

Henry H. Daniels was my paternal grandmother's maternal grandfather -- that is, my father's mother's mother's father. There's a nice sort of symmetry about that. He was born in Michigan in 1840, of English immigrants George Daniels (Lincolnshire) and Ann Twidale (Yorkshire). At this point I know very little about his family, but I know the following, thanks to 2nd Michigan Volunteer Infantry web site:
  • Henry H. Daniels was residing in Hudson at the outbreak of the Civil War.
  • He enlisted, in Hudson, as Sergeant in Company B 2nd Michigan Infantry, on the 10th of May 1861. He was 21 years old at this time.
  • He was promoted to Command Sgt. on 25 August 1862 (Acting Aide-de-camp to Colonel Fenton, 1st Brigade). He was transferred on the same day from Company B to Staff.
  • He was promoted to 2nd Lieutenant on 17 September 1862. He was transferred on the same day from Staff to Company H.
  • He was promoted to 1st Lieutenant on 24 February 1863 (Acting Aide-de-camp 1st Brigade, 1st Div., 9th Corps). He was transferred on the same day from Company H to Company D.
  • He was transferred on 27 May 1863 from Company D to Company I.
  • He was promoted to Captain on 12 March 1864 of Company C.
  • Promoted to Adjutant on 26 March 1864. He was transferred on 29 March 1864 from Company I to Staff.
  • He was transferred on 28 July 1864 from Staff to Company C.
  • He was discharged for wounds on 05 November 1864 as Aide-de-camp on staff of Colonel Leasure. 

His wife was Martha L. Hale, born around 1842 in New York state.Bentley family lore had it that she was related to the famous American patriot Nathan Hale (1755-1776). However, records are very spotty and inconsistent; it appears that her father, Hiram (1805-1861), was the son of a Nathaniel Hale (b. 1758), and I so far can't get the dots to connect. Oh well! At any rate, she looks a bit dour, doesn't she? But obviously she was in Henry's heart during the war -- and he looks pretty wistful about it (I'm assuming he's getting ready to leave for duty, with his Sergeant's stripes).



This book briefly lists the actions of the 2d Infantry...

"This Regiment left Detroit on the 5th of June, 1861 — the first of the three years' Regiments in the field from this State — with an aggregate force on its muster rolls of 1,013, to which 102 had been added previous to the 1st of July. Its first engagement was at Blackburn's Ford, Va., July 18th, 1861. During the winter it lay near Alexandria, Va., and in March was moved under McClellan to the Virginia Peninsula. It took part in the siege of Yorktown; in engagements at Williamsburg, May 5th; at Pair Oaks, May 21st; at Charles City Cross Roads, June 30; at Malvern Hill, July 1; and at Chantilly, September 1. Its casualties at Williamsburg were 17 killed, 38 wounded, and 4 missing; at Fair Oaks, 10 killed and 47 wounded. Major General Israel B. Richardson, who entered the service in this war as commanding officer of the 2d, when it was organized, died in October last, of wounds received in the battle of Antietam, in which he commanded a division of Union forces. On the 30th of November the aggregate of the Second Infantry, present and absent, was 642. It is in Burns' Division off the ninth army corps of the army of the Potomac..."


Here are the Danielses some years later in Cripple Creek. Henry took his daughters Alice and Louise west and joined the mineral rush like his inlaws-to-be the Orrs, in the Colorado mining industry.



There are some great photos on MiningArtifacts.org.


Perhaps surprisingly Henry is buried in Oakland, California, but his grandson Hugh wound up as an Oakland attorney. So there you go.

Finally, I just discovered a distinguished-looking Henry in the gloriously titled "Representative Men of Colorado in the Nineteenth Century: A Portrait Gallery of Many of the Men who Have Been Instrumental in the Upbuilding of Colorado, Including Not Only the Pioneers, But Others Who, Coming Later, Have Added Their Quota, Until the Once Territory is Now the Splendid State." (Rowell Art Publishing Company, 1902 - Colorado - 272 pages) Outside of this honor I can't find evidence of what made him so "instrumental," but I'll take their word for it!



Reference sites include Michigan In the War, Find a Grave, and FamilySearch.

20.9.13

Armistice


In keeping with this week's Sepia Saturday theme of Peace, the following is a brief excerpt from my great-grandfather David Blumenfeld's long-lost memoir, written in South St. Paul, Minnesota.

Sunday, November 10th 1918 was a grand day, [my eldest son] Albert’s wedding day. ...The honeymoon of their marriage passed in a glow of warmth and joyous discovery beyond any power of words to set down. There was never in the glittering realm a sound of joy like this.

[Meanwhile, Albert had, against his parents' wishes, enlisted in the Army and was about to leave for the European front.]

Albert Blumenfeld in uniform
On the very next day, Monday, November 11th, before dawn, wireless messages announced to the world [that] an Armistice was signed in the presence of General Pershing, Marshal Foch, and many other notables and military dignitaries. ...There was celebration all over America. Factory whistles screeched, church bells tolled; at 8 a.m. the Swift and Company ... stockyards employees laid down their tools and began celebrating.


The stockyards
... The mobbing, the pelting of roses, the kisses from suppressed, hot-lipped women who were perfectly respectable. The little flasks of whisky and cognac from many good-natured men’s pockets. Wavy lines of factory girls arm in arm, some of them half drunk, swayed along amidst the crowd, jostling men and squealing pert coquetries. There hovered about sundry lecherous looking males, much attracted by this throwing down of the outer earthworks of sex. Arms were thrown around strange necks in tight embraces. Girls shrieked endearments or words of immodesty or abuse like cats at their amorous cries on roofs. Men fanned their erotic fires with jests and buffoonery.


Minneapolis, Armistice Day 1918
An unmanageable excitement took over the nation. With uplifted arms all began to shout, “The war is over! The war is over!” while thousands laughed and wept. A combination of tumults. What joy or heartbreak was in their cry, God only knew. People were shouting that “the boys got the Kaiser” and crowds laughed, for a man moved into the light carrying a scarecrow on a long stick and yelling, “Here, here, we got the Kaiser.” The war was ended as suddenly as it [had begun].

...Two days after Albert’s wedding David received a telegram from his youngest daughter Helen [who was visiting] in Trenton, New Jersey, stating that she was married to Arthur Singer and that Moshe Rosen acted as best man and witness for them.
Helen and Arthur


26.5.13

The Human Face

In honor of this week's Sepia Saturday, for those of you familiar with my ongoing series about my great-grandfather's adventures...

Newly discovered: the earliest known photograph of my great-grandfather David Blumenfeld. My guess is that this is taken sometime after 1902 when he opened his haberdashery shop (at the age of 37) in South St. Paul, Minnesota. Only then did he begin to "make a go of it" financially, where he might be tempted to have a portrait taken. I wonder if his lapel pin indicates that he is a Mason...  Anyway, a good-looking fellow whose demeanor belies the throes he'd been through so far.



Here's one of the last photos taken of him, which appeared in his obituary in 1956.

22.2.13

Sepia Distaff Muddle

Today's Sepia Saturday starts with a group portrait and then briefly examines the cast of characters - those onstage and those mysteriously offstage.


Here is the Zalk family, circa 1900: Max (b. 1859 in Poland), his wife Gittel (aka Gertrude), and their children Sarah, Louis, and baby Eva. The person I'm especially interested in is Gittel, nee Lass.



The story I have heard is that she did not want to come to America; Max came over and had to convince her. She finally emigrated in 1888 with Sarah and Louis (age 3).

According to the 1910 census, Gittel was born Nov 1851 -- or in 1852, according to the 1930 MN census. Her daughter Eva’s birth certificate states that Gittel was born in 1860. Hmm. In addition to these discrepancies, I have spent considerable time winnowing conflicting stories and data in order to determine whether Gittel was the half-sister or the step-sister of my great-grandmother Lena Laser Blumenfeld. Step-sister is most probable.

One version of the relationship is that Lena Laser's father, Moses Laser, died; her mother, Leba Laser (nee Loss) (who was also sometimes referred to as Libshe or Lipse Loss!) , then married a widower with the last name of Lass -- one of whose children, Gittel, was much older than Lena (born in 1865).

But there are other theories as well. For one thing, the similar surnames (let alone the musical-chair given names) are enough to drive one batty. Lass, at least, appears to be solid, as there were other relatives in Minneapolis by that name.

Here is what purports to be a later photo of Gittel. Do you think, as I do, that she bears little resemblance to her earlier self?  She seems a good deal paler, for one thing.


Here is my forebear, her step-sister Lena Laser Blumenfeld, at a similar age, probably in the 1930s.


Compare this photo of Lena as a teenager in Kovno (now Kaunas) Lithuania. Not much resemblance there either, but at least her complexion is the same! (Victoria Carte refers to the format of the photo. If your browser can translate Lithuanian, there is some semi-intelligible information on this Kaunas University Library page.)

For the record, the following is the only known photo of Lena's mother Leba Libshe Lipse Loss Laser Lass...or whatever... taken sometime before her death at at 87 in Minneapolis in 1923. (She emigrated in 1912 to join her children in the States.)


Babushkas one and all! Eventually, at least.

15.2.13

Sepia Lost Uncle #1

In keeping with the Sepia Saturday weekly theme, I present my late Uncle Paul Singer, when he was in the service in the Forties, featuring his "saucer cap."

What's that, you might ask?
From Wikipedia: "A peaked cap, forage cap, barracks cover, or combination cap is a form of headgear worn by the armed forces of many nations and also by many uniformed civilian organizations such as law enforcement agencies. In the United States military, they are commonly known as service caps, wheel caps, saucer caps, or combination covers in the Naval services."

Looking very serious indeed beside the staff cars
Paul was my mother's younger brother.
A relaxed and friendly soul, not to say devil-may-care, he took after his dad Arthur Singer.
Unlike Art, he never seemed to find his calling....

Looking like he has somewhere better to go
Paul was stationed, I believe, at Fort Bragg, California. He was a DJ at the Army base radio station...  
Somewhere I have a 78 RPM record he cut at the studio as a letter home.
Temporarily happy
Soon after his first marriage, his wife left him.  She took their 2-year-old daughter, who, when she was old enough to want to get in touch, was forbidden to contact the Singer family.

Paul with a decorated buddy who looks about 14!

The years passed.
He did this and that through the Fifties and Sixties...
In the early Seventies he tried to start a lobster ranch in Puerto Rico but the government funding failed to come through and he came back to the States disillusioned.
At one point he was selling meat, or possibly fish, from the back of a truck around Los Angeles.

Is that a flight suit? Looks too warm for California!
And then shortly after the last time I saw him in 1979 he left his second wife.
In fact, he left town, without telling anyone where he was going.
We never saw him again.
Pondering his future

Only in the last few years was I able to trace Paul, to find he'd died in 2000, back in L.A., age 76.
I was also able to locate his daughter, now in her 60s, and provide her at last with photos of her long lost father and his parents.

Uncle Paul's daughter and our grandparents, around 1950



15.9.12

Sepia Saturday: X Marks the Spot

A while back I posted a series of Sepia Saturdays based around my discovery of my great-great-grandfather David Blumenfeld's memoirs, which concerned his childhood in Eastern Europe, as well as his immigration to the U.S. in 1884 and subsequent travails. In August 2012, I and my cousins traveled to his home town of Tukums, Latvia, both to continue our research and get first-hand experience of walking where he had. Following is a summary of that trip, illustrated by old postcards of the Tukums town square, which figures prominently in the opening of his story:

“One bright spring morning when the sun was benevolently smiling on all nature, Leah was sitting on the veranda of her two-story dwelling overlooking the great ‘Parade Platz’ market place, in her native town of Tuckums, Courland.”


The following is excerpted from my essay that just appeared 10/7/12) in Poetica Magazine.

This day in August 2012, I am one of a handful of David Blumenfeld’s descendants exploring the streets of Tukums. Through the “Diary,” we cousins have spent the last four years getting to know each other and our shared history, and Fred and Deborah have been critical interpreters in my belated proper introduction to Jewish culture. Their side of the family remained in the Midwest and clove to tradition. Mine left their families behind to pursue a new life amid strangers on the West Coast. I now know this was — for my mother, at least — a logical follow-up to the peregrinations of her father, grandfather, and great-grandfather — peddlers all, of one sort or another. But what her grandparents left behind, and why, why her own mother fell (or jumped) from the Jewish tradition, who we really were — some of these answers have assembled themselves from the Diary. Others we knew we’d have to come to Tukums to unravel, this ancient town on one side of the ocean and the vast new world on the other –cross from present to past.

Having pored over the Diary, trawled the pages of censuses and lists of the murdered, questioned our mothers and uncles, flown the miles and hours, and at last having paced the smooth swirls of gray cobble in Brivibas Platz – Liberty Square – and seen the walls our ancestors saw every day – having set foot in the garish gymnasium that was their synagogue – I am beginning to see the ghosts of the Blumenfelds. We are finally beginning to materialize, them and us.

And we must not forget the heretofore mysterious in-laws the Klatsovs. Up until 2010 I’d thought (as did my own grandmother) that my David Blumenfeld’s mother’s maiden name was Gottshalk. But there were no Gottshalks in Tukums. However, the death certificate I finally found showed her father’s name as Klashoff, and although Tukums had no Klashoffs either, it did have Klatsovs, and furthermore they all had the correct first names and birthdates. Thank you, Internet. And today we stand before a large, modern (which is to say nondescript) bank on the spot where the squat, tile-roofed, family store sat for decades. Where did the Klatsovs go?
The Klatsovs' store, c. 1890
My cousin Bob notes later that we are “looking for roots, in a place that saw two totalitarian empires engage in a ruthless extirpation of roots.” And it’s true, much of what we come across in Latvia consists of absence. Starting with the Jews, of course, whole towns-worth of human beings obliterated. And now even the buildings gone, sites replaced, repurposed, disguised as libraries and basketball courts, or long demolished and replaced by a bank. The Jewish cemetery on the edge of town is hidden and barely accessible through stands of wild bushes and dry grass tall enough to hide the effaced and lichen-etched stones; the bloodcurdling crescendo of a dog-pack’s snarls echoes through the pines from what I am glad turns out to be the local off-leash park.

The Gone. Gardens and squares bear statues and busts of the dead and the heroic amid the tidy flowerbeds – in homage to humanity, to complement nature (both marble and flower are well-artificed, asserting our stubborn will to instill beauty as well as dignity amid the desolation). Outside of town, the countryside is studded with abandoned factories and never-completed apartments from the Soviet era. But in the surrounding farmlets, the narrow alleys of Tukums, it is the humblest of abodes that most often remain in daily use – the People endure when Empire has shattered. Except, that is, for the Jews.

Holocaust memorials (almost grudging — small, subtly plaqued, and out of the way) are offset by the odd spraypainted swastika on an inconspicuous wall, a secret small and dirty but alive in the shadows. There are the museums with their token rooms of Jewish Remembrance, the blurred monochrome news-shots, twisted spectacles, shirt buttons torn off and battered, yellow cloth stars and fragments of barbwire — but these are overbalanced by the lavish displays of Stalin’s deportations of the Latvian survivors – the Jews simply swept into virtual nonexistence by Hitler beforehand. (Townspeople had chipped in with that, too, both to try to save their own skins and in retaliation for past grievances. The German landowners had employed Jewish overseers, and both lorded it over the native Latvians. The country was batted for generations between Russians and Germans…the vagaries of power and dogma pounding like floods of mud over the weaker territories, the “lesser races.”

Klatsovs' store on far right, c. 1925

So where are our Klatsovs? At the Jewish Museum in nearby Riga I was stunned to discover the names of both our great-great-grandfathers in the index of a fat book on historical properties in Tukums. There were grainy photos of these buildings through the ages, along with descriptions of the history of ownership. We noted the addresses and drew circles on our maps. We hoped to touch history.

But houses here, even shops in full swing, show generations of modest rejuvenation – layers of plaster over worn planks, paint over chipped plaster, new paint over old, color over color, like aged and grimy bandages barely binding shattered and tilting skeletons. As with the architecture, so with our lives. Here then is the house where our great-great-great-grandfather Jossel Blumenfeld lived – well, the spot where his house once stood, anyway – indeed an old house but not old enough, despite its tilt, its dust and tattered blinds – built only in 1924 long after his death. Someone lives here now, someone unrelated. To us, and perhaps to the past at all. Someone who in all probability knows nothing of this house’s ghost — or of the whole town’s ghosts, since decades of shame and horror have omitted the Jews from the local education, and there are so few left here that even the alive and well exist almost subliminally. This small brown house sits in the space where Ben Zion Blumenfeld grew up with his father, was drafted into the Russian army, around the corner from the square where he was drilled, and the synagogue — in which now kids play basketball – where he met his wife-to-be. Leah was daughter of prominent shop- and property-owner Yankel Klatsov, who raised a family of girls and a favored son, David; David would inherit the family fortune, stay in his home town, raise his own family of girls and a son, and feel no need to take the desperate and perhaps foolish chance that his luckless brother-in-law Ben Zion took (after an almost comical series of business failures) by moving his family lock, stock, samovar, and featherbed to a new country where neither German, Russian, Latvian, Hebrew, nor even Yiddish was a common tongue, where chances were that success would be equally hard to find, but where at least his sons would be safe from the Czar’s army. In Tukums, David Klatsov saw no reason to move. He thrived. He did not fear the future.

Cousin Fred, learning that the shop that sat calmly at the center of Tukums picture postcards for a hundred years had passed on to David Klatzov before The War, on a hunch looks him up on the Yad Vashem website. Typing the name is like the midnight phone call, the pounding on the door: Slaughtered by Nazis, aged 86, July 1941, with son Mordecai. As well as hundreds of other Tukums Jews. This then, we clarify to the museum director during our visit, is why the store closed one day and never reopened, why it sat vacant for years and then fell to the wrecking ball. The owner disappeared one day and never returned. Not because he had gone to America to find his fortune: because he hadn’t thought he needed to.

Parade, Klatsovs' store center left

En route to Tukums we drove through fields speckled with tall storks as in a fairytale, white with black wings, legs and beak blood-red, perched on thickety nests atop telephone poles and barns. But like we’ve found by walking our family story down these time-soaked streets, the stories are true — these aloof creatures truly have flown from Africa, to nest… They really follow the ploughs across the wheat fields hunting voles, frogs, crickets turned up by the blades. A symbol of luck, it’s said, but to whom? They didn’t bring luck to the Tukums Jews, the Riga Jews, or the Jews of Kaunas, Lithuania, where we will head next. They are rather a parable — of hope, of the freedom to raise one’s children and risk journeying as far as necessary to do so.… Perhaps the stork could be the symbol on the Blumenfeld crest. If there were one. This is where, this is how I begin to solidify my heritage, not so much “find myself” as place myself — yes, nailing the family story for accuracy’s sake, for my own children, but confirming that it’s more than just apocrypha. Tukums’ swirling cobbles serve as the hard evidence, as small gravestones our names are now etched into. We follow the plough of history, free for now, and hunting our sustenance from what has been left to us.

Klatsovs' store on right

Postscript, October 2013:

Soon after returning home, armed with the Klatsov information, I stumbled upon a family tree (surname Behr) on the Internet which gave some further names and connected a few more dots. Soon my cousin Fred and I had uncovered a trail of direct Klatsov descendents from Tukums to Palestine in 1925, and thence to America, most of them neatly avoiding the Holocaust. One exception was Julius Drabkin (1918-2003), one of David Klatsov's grandsons, whose harrowing story has been recorded -- and you can read the transcript at this link -- for the The Bay Area Holocaust Oral History Project.

Amazingly, there was a large contingent in Southern California, practically in Fred's back yard, whom he had never known about. Since then, they all have had a reunion - many of the California cousins hadn't met each other in decades, and of course none knew there was another line of descendants in the States.

Fred also traveled to Israel and met the other contingent, who were equally amazed and delighted to find more surviving descendants.  They were able to provide a few precious photographs, some of which follow.

Devora (1877-1972), the daughter of David Klatsov, moved to Tel Aviv in 1925 wit her husband Zvi Traub

Devora's sister Sarah Klatsov and her husband Mischa Drabkin perished in Riga in 1941. Their son barely made it through the war, and eventually moved to the US with his family.

The children of Devora Klatsov Traub (with stepson Israel Traub): Hene 1898-1990, Hinda 1908 - 1993, Zalman 1913-1984.

By the way, I have a few contemporary shots of Tukums on my other blog.