So closes the first 12 months of photoblogging.
Off the tourist trail, Ashland OR
South end Seattle Chubby & Tubby, recently demolished
Downtown Seattle
31.12.09
30.12.09
29.12.09
Signage Without Message
As usual the back side is more interesting.
Billboard exoskeleton, Yakima WA
Cruciform neon beer sign, Issaquah WA
Giant bottlecap, Minneapolis MN
Billboard exoskeleton, Yakima WA
Cruciform neon beer sign, Issaquah WA
Giant bottlecap, Minneapolis MN
27.12.09
24.12.09
23.12.09
22.12.09
Flotsam
...How thick the water is tonight. Whiskers of fire
grow around the eyes of wild birds who stalk the surf
as I watch their path diminish into the sea.
I know their steps are covered by air and water
and yet no matter where I step
the stones are the same stones;
but what salmon are as they burn their
lives out along the fuse of stream
is open to question--egg? Flame? Story?
...How can we say a flower is beautiful
without appreciating its petals? Surely the muck
around the tendrils is as wondrous as the petals,
surely the clams in the beach as brilliant as suns
upon the shores of space. Waves break behind
my eyes. ...
from The hat named ceiling by Sean Bentley, Herb Payton, Robin Smith
21.12.09
20.12.09
Roadkill: Fair Warning
I went to the Animal Fair;
the birds and the beasts were there.
The big baboon by the light of the moon
was combing his auburn hair...
The most disturbing childhood song I've ever heard.
The monkey, he got drunk
and sat on the elephant's trunk...
What fell to its knees and caused the end of these critters?
the birds and the beasts were there.
The big baboon by the light of the moon
was combing his auburn hair...
The most disturbing childhood song I've ever heard.
The monkey, he got drunk
and sat on the elephant's trunk...
What fell to its knees and caused the end of these critters?
18.12.09
17.12.09
Out Back
Continuing fascination with the geometries of what lies behind, in the alleys and employee parking areas...
Bellevue
No dilapidated chairs, but a board-and-cinderblock bench.
Los Angeles
The ever-popular used-pallet repository.
Everett
Materials of mystery.
Minneapolis
I think that's a base for a sidewalk sign...
Seattle
Just junk and damage control.
Port Townsend
The evolution of pallets or devolution of a ladder.
Bellevue
No dilapidated chairs, but a board-and-cinderblock bench.
Los Angeles
The ever-popular used-pallet repository.
Everett
Materials of mystery.
Minneapolis
I think that's a base for a sidewalk sign...
Seattle
Just junk and damage control.
Port Townsend
The evolution of pallets or devolution of a ladder.
16.12.09
Do Not Play On or Around
15.12.09
Construction, Deconstruction
13.12.09
Holiday Cheer in Lake Heights
Our neighbors are really going over the top with decorations this year.
So Santa traded in the sleigh?
(Yes, Virginia, Santa is an elephant.)
SO, here's a poll, what's your opinion of these decorations?
A. Approve: Representative of typical Yankee Christmas cheer
B. Disapprove: Not American enough, where's the flags?
C. Disapprove: Not Christian enough, where's Jesus?
C. Disapprove: Not enough recognition of alternative faiths and/or atheism
D. Approve: Representative of the Suburban Absurd movement
So Santa traded in the sleigh?
(Yes, Virginia, Santa is an elephant.)
SO, here's a poll, what's your opinion of these decorations?
A. Approve: Representative of typical Yankee Christmas cheer
B. Disapprove: Not American enough, where's the flags?
C. Disapprove: Not Christian enough, where's Jesus?
C. Disapprove: Not enough recognition of alternative faiths and/or atheism
D. Approve: Representative of the Suburban Absurd movement
Tableaux Redux: Minneapolix
11.12.09
Looking Backward
Snap
From white the world fades
in, vision begins, of pleating
water, sand defined by sandaled
feet, by footsteps.
Toward the camera
a wind fixed.
In this dream's a ghost
far shore of ghost hotels
and trees tall tokens
of horizon.
Foreground, Mort and Beth
posed shortly to ride
on Mama's back, unsure
of what? Helen,
mother, propped herself
up on her stomach.
Paul wore a woolly jumper
like a little muskrat.
Grandma fading into
sky arrests his arm
as he hops.
august 1925 sunset
all day it's been in the seventies
hazy with small-boned breezes
arthur under the oaks drinks limeade
three poles spike the lake down
to the farthest ones the kids wade
they hang on kicking
pretending to swim
Grandma, hair pulled back,
wore a knit dress
that passed for bathing suit.
She looks from the camera,
blends with background.
Who is this picture of? Helen smiled
for the camera but is almost buried
by her children
staring straight at me
as into a window.
In Helen's house I look at the photo,
her mother long dead, and now Arthur;
children moved away and married.
The picture is so sharp I could be there,
even the distortions are believable,
monochrome and overexposed lake.
Depth. I might be Mort,
wild ears, buck teeth, the asking
look. The eyes are sharp linchpins.
I could hear the waves,
Paul singing, Oldsmobile horns
from across the lake.
I can't say
what I'm trying to say. Maybe
it is that in thirty years
that girl, Beth, will have a child,
and in twenty-five unimaginable more
he will see a photograph
about which he will try to write.
Labels:
beach,
blumenfeld,
family,
laser,
minneapolis,
singer
8.12.09
5.12.09
3.12.09
Surge
Harvest
My daughter, six, passes over
the freakish Indian corn, the misshapen
pumpkins lolling in the carpark
at the farmers’ market. She wants
moon-round, the ripe for carving,
though the blade will answer to me,
following her directions toward spookiness.
She hefts her choice
in textbook perfect hands,
hugs it to her like a tiny sister,
as I rummage for payment.
Giving a fiver to the woman
my hand meets two
stumps, one bearing
a thumb, a lithe thumb
which, even as it volunteers
a vestige of normality, is
monstrous, amplifies the smooth
pestle-like
otherwise inarguable finality
of the farmer’s arms.
She has been carven, at least
in the way a wayward log might be
sized to fit a hearth’s narrow cause,
or some beast, sacrificed—
the thumb, like Ishmael, alone escaped
or left there to rub in, over the years,
the hatefulness. I think
of those hands falling like small cobs
in an Asian field somewhere, she
pressing the stems of her arms
to her belly to save at least
her blood, its lavish rouge
twinned incalculably
by the man’s neckerchief, sweatsoaking.
Her face today is crinkly, pleasant, as old perhaps
as mine. While I filed for CO in ‘72, she
did the staggering run up to the killing fields.
She calculates, explores for change,
wrists stirring her apron pocket,
thick spoons in a cauldron.
I know where Piper’s eyes look
and dread explaining, then realize
even if I knew whatever atrocity
was truth, I need not tell it.
She’s unable to imagine
anything but accident or sad nature,
horror limited to the small witches soon
at our door, “scary,” and gross-out
masks the drugstore flaunts.
Little news. No history.
She is fallow to “truth.”
The woman levers out three
ones, hugging them
as she hugged her arms back then
and – hands them is not right –
offers me the bills.
At home tonight she will know
she’ll never know
as she stirs her children’s hair
how soft and light it feels
to her husband’s fingers
combing through it.
She will stroke with skin over bone
his face and perhaps remember
her nails against his back,
how he felt
to hold.
. . . Whether bearing it in hands or heart,
my daughter and I bring this harvest home.
30.11.09
Constellation of Leaves
The exploded view
"Live in a perpetual great astonishment."
- Roethke
A leaf falls: countless
attitudes between its branch
and earth. Earth is changed
wholly in this transaction.
I feed on this, I live.
29.11.09
28.11.09
Centralia Tableaux
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